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His downfall has many factors associated with it. In that sense, Rajesh Khanna is unique and he carved a place for himself. Shammi Kapoor was trying to outdo Dev Anand. If you look at the second generation of stars - Rajendra Kumar or Manoj Kumar, they were still trying to ape Dilip Kumar. He is the first superstar in post-independent India who doesn't have baggage of the past. In the book Sharmila Tagore says that she stopped working with him since he was always late. So I am trying to understand the superstar, whose career does take a nosedive after Amitabh Bachchan's angry young man starts to dominate the industry in the 1970s. But Rajesh Khanna's Haathi Mere Saathi, released in 1970, made more than a crore ( Rs 10 million) in its theatrical run. I think Salman Khan had eight or nine hits after Maine Pyaar Kiya. Seventeen hits in three years is a record no one else has achieved.
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He was the first Hindi film star who had golden jubilee hits in non-Hindi speaking places like Madras, Hyderabad.
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In 1969 three of his film were playing to house full boards at the same time - Aradhana, Do Raaste and Ittefaq. It is fascinating in three years from 1969 he had so many hits.
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Ten years ago, it would have been practically impossible to track Aurat or Red Rose. Of course, many of them are on YouTube channels, including Aradhana and Amar Prem.Īnd the timing worked out well, because in the '90s many of these films were not available since VHS was a dying medium. Most of them are available on DVDs because there is a great interest in old Hindi cinema. But then I watched films that we had missed out on or were shunned by the spotlight, like Dil Daulat Aur Duniya, The Train - a well-made, campy film with a great score. So I did revisit the usual suspect films for the key points. But you should watch it muted and see how comfortable Rajesh Khanna is in those emotional scenes. She is very theatrical and rolling her eyes. He has long scenes with Padmini who was a throwback to '50s cinema. The film is on YouTube and worth watching. That is the first time you see Rajesh Khanna's traits that will make him a big star - excellent timing, giving space to his co-stars and a lot of modulation in his dramatic scenes.
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But there is a film between Raaz and Aradhana called Aurat. One got an idea from the '60s by seeing Aradhana, Baharon Ke Sapne and Aakhri Khat. I divided his life by decades - the '60s, '70s and '80s. When you started writing the book, how many films of Rajesh Khanna did you see? But for me when I think of Rajesh Khanna the images that come to my mind are Amar Prem, Namak Haram and Aap Ki Kasam. You would have to be very insensitive not to be moved by the film. So it was not Anand for you? I saw Anand at the Regal theatre in Delhi. Image: Rajesh Khanna and Sharmila Tagore in Amar Prem. You think Zanjeer is the first time you see Amitabh's angry young man, but it is in Namak Haram ( both film were released in 1973) that the angry young man finally comes into his own. They did two films together ( Anand and Namak Haram) and those two films essentially established Amitabh Bachchan. They were two big superstars and their lives were so intricately connected. But you cannot separate his career or filmography from Rajesh Khanna. My generation grew up on Amitabh Bachchan. I am 37 and people ask me how come I got interested in Rajesh Khanna since I never witnessed his peak. It was his death that made us remember him again.Īfter his death and the sea of humanity that turned up for his funeral that triggered the urge to search for the superstar.īut in the process you start to track the superstar through his work from the late 1960s. It is kind of ironic that the guy who set the standard of stardom, even 40 years later, he was at his peak and then forgotten. My editor got interested and said why don't you string around that, not just Rajesh Khanna, but that period, and the idea of the hero in Hindi cinema. I had written a few articles following his death, obituaries for a couple of papers and portals. I wasn't planning to write a book on him, but I was very interested in that period - the end of the '60s and the '70s. Had you been thinking about a book on him? Gautam, you started to work on the book after Rajesh Khanna's death. Image: Rajesh Khanna and Sharmila Tagore in Aradhana.